Autonomy

The Un- Renounceable Autonomy

By Ramón Vera Herrera Faced with regulations and unrealistic provisions of various levels of government, the communities, peoples and individuals that refer to themselves as part of the Network in Defense of Corn, just days ago released an urgent call to respect the autonomy of the communities and peoples and to block the advances of extractivist policies that are passed off as “essential” activities. They insist that “the right of native peoples, communities and organizations to be and to remain in isolation and determine when to return to activities, including that of schools,” because it cannot only be the “assessment …

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Second International Gathering of Women Who Struggle

Alright now you know the date and the place, and you can go about organizing yourselves to come or to send someone or to put someone in charge of reporting back to you what happened and what we said. Then even if you are far away, you’ll know that our duty as women who struggle is to not let that little light that we gave you go out. You’ll know that that little flame isn’t just for light, but to burn down the whole damned patriarchal capitalist system.

“Development” and Extraction: Water Scarcity in Chiapas

The colors of the May rains. How many greens can there be? The green of the grass reflected in the hanging dewdrops, the shadowy greens of the river cypresses, the purple green, the silent green of the pines, the dignity in the stillness of the fog that surrounds the scene; a mountain slope of conifers and oaks whose roots support the thin soil of the highlands. How can this be the place where we hear about water problems? How can these greens coincide with water scarcity? Unlike the Mexican states of Oaxaca and Guerrero, with large deserts, Chiapas is known …

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Zapatista girl in blue shirt

Lupita’s Secret – bilingual

“El Secreto de Lupita” cuenta la historia de cómo las comunidades organizadas del sureste mexicano resisten ante los megaproyectos del mal gobierno. “He disfrutado mucho este trabajo porque creo firmemente que es importante explorar con dispositivos narrativos diferentes que sean didácticos, creativos y, por qué no, divertidos. “

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